Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Pablo Picasso
Picasso, Minotaure aveugle guidé par Marie-Thérèse, 1934 Signed Etching

1934

About the Item

A fabulous impression of this scarce Picasso etching from the Vollard Suite published in 1939. In an excellent hand-carved museum frame with all acid-free conservation materials. Artist: Pablo Picasso, Spanish (1881 - 1973) Title: Minotaure aveugle guidé par Marie-Thérèse au Pigeon dans une nuit étoilée from La Suite Vollard Year: 1934 Medium: Aquatint, Grattoir, Drypoint and Burin on Montval laid paper with Vollard watermark, signed in pencil Edition: 260 + 50 Image Size: 9.75 x 13.625 inches Size: 13.25 x 17.5 inches Frame Size: 25 x 28.5 inches Published by Ambrose Vollard, 1939 Reference: Bloch 225; Baer 437
  • Creator:
    Pablo Picasso (1881-1973, Spanish)
  • Creation Year:
    1934
  • Dimensions:
    Height: 25 in (63.5 cm)Width: 28.5 in (72.39 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    apart from light toning and mat burn in the sheet in the far margins away from image.
  • Gallery Location:
    Long Island City, NY
  • Reference Number:
    1stDibs: LU466910623
More From This SellerView All
  • Prehistoria II, Modern Aquatint Etching by Max Papart
    By Max Papart
    Located in Long Island City, NY
    Prehistoria II by Max Papart, French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of 16/25 Size: 21 x 40 in. (53.34 ...
    Category

    1970s Modern Figurative Prints

    Materials

    Etching, Aquatint

  • Sylvia Roth, "The Emperor" Etching with Aquatint, circa 1980
    By Sylvia Roth
    Located in Long Island City, NY
    Artist: Sylvia Roth Title: The Emperor Year: circa 1980 Medium: Etching with Aquatint, signed in pencil Edition: AP Image Size: 23.5 x 22 inches Size: 34 x 28.5 inches
    Category

    1980s Modern Figurative Prints

    Materials

    Aquatint, Etching

  • Sylvia Roth, "The Empress, " Etching with Aquatint, circa 1980
    By Sylvia Roth
    Located in Long Island City, NY
    Artist: Sylvia Roth Title: The Empress Year: circa 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: PP Image Size: 23.5 x 22 inches Size: 34 x 28.5 inches
    Category

    1980s Modern Figurative Prints

    Materials

    Intaglio, Etching, Aquatint

  • The Skaters, Aquatint Etching by Will Barnet
    By Will Barnet
    Located in Long Island City, NY
    Artist: Will Barnet, American (1911 - 2012) Title: The Skaters Year: 1988 Medium: Etching and Aquatint, signed and dedicated in pencil Edition: Trial Proof...
    Category

    1980s American Modern Figurative Prints

    Materials

    Etching, Aquatint

  • Guerrier, Abstract Aquatint Etching by Antoni Clave
    By Antoni Clavé
    Located in Long Island City, NY
    Artist: Antoni Clave, Spanish (1913 - 2005) Title: Guerrier Year: 1970 Medium: Etching with Aquatint, signed and numbered in pencil Edition: EA Image Size: 23.5 x 15.5 inches Size: 3...
    Category

    1970s Modern Figurative Prints

    Materials

    Aquatint, Etching

  • Jean-Francois ne Chante Alleluia no. 25, Aquatint Etching by Georges Rouault
    By Georges Rouault
    Located in Long Island City, NY
    Artist: Georges Rouault Title: Jean-Francois ne Chante Alleluia (Jean-Francois Never Sings Alleluia) no. 25 from the Miserere et Guerre series Year: 1923 (published 1948) Medium: Aqu...
    Category

    1920s Modern Figurative Prints

    Materials

    Aquatint, Etching, Photogravure

You May Also Like
  • Inspiration, 1981 (Les Songes #8)
    By Marc Chagall
    Located in Greenwich, CT
    Inspiration is an etching and aquatint on paper with an image size of 12 x 9 inches, signed 'Marc Chagall' lower right and annotated lower left. From the edition of 61, numbered VII/...
    Category

    20th Century Modern Prints and Multiples

    Materials

    Aquatint, Etching

  • Twixt Dawn and Day
    By Sir Frank Short
    Located in Storrs, CT
    Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Aquatint

  • San Marco [Venice].
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • Chelsea Old Church, London
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • Ludgate Hill
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • Don't Scream, Fool - Etching after Francisco Goya - 1881/86
    By Francisco Goya
    Located in Roma, IT
    Don't Scream, Fool (No grites, tonta) is an original modern artwwork realized by Francisco Goya between 1794-1798. Plate n. 74 from "Los Caprichos". Etching with aquatint in black-...
    Category

    1880s Modern Figurative Prints

    Materials

    Etching, Aquatint

Recently Viewed

View All